My practice investigates the transience of life, memory, and how we perceive plant life through image-making.
I work with photography, printmaking, painting, drawing, and video, combining traditional and experimental techniques to build compositions based on botanical elements. By enlarging plants in scale and detail – collected from urban and transitional zones – I aim to create a visual confrontation that brings attention to what is often overlooked, discarded, or misunderstood.

Each specimen I work with is directly tied to personal geography: plants gathered along the paths I walk, the places I live, or those that find me by chance. They carry material memory – of sunlight, lifespan, and environmental conditions – and bear witness to their surroundings. My interest is not in cataloging these plants, but in placing them at the center of the image – as botanical portraits that shift focus from the human subject to plant life itself. By interrupting their decomposition process, I propose a symbolic field of resistance to the logic of disposal.

I avoid the use of green to challenge conventional representations of nature and landscape, and promote a more critical, non-anthropocentric gaze. I see this work as part of a broader need to reframe how we recognize, relate to, and coexist with what grows around us, sand proposes, in response, a field of reconciliation between nature and culture.